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  <a href="/recording-notes/blog/4734086/studio-day-two-may-24-all-about-the-bass">May 24 (full day): All About the Bass (and Vocals)</a>&nbsp;
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  <div class="message"><p>I made it back into the studio on May 24 and the focus this time was on getting my bass parts down, although we did a little guitar and also several vocal tracks.  Eric's bass collection is just as impressive as his guitars and he had a number of candidates already in mind when I arrived.  After trying a few out, we settled on three--a Lakeland Joe Osborne model Jazz bass, a 1966 Fender Precision, and a fretless Fender Precision. </p>
<p><img src="//images.zoogletools.com/u/13993/929176a8bd8ae39cd78eb593f37968829ee3eead/medium/img-7645.jpg?1496699564" class="size_m justify_left border_none" alt="" />The choice between the first two was all about tone--I would play against the song and it was usually apparent which one was more at home in the song.  My memory is that the 1966 Precision made the cut for the folkier songs while the Lakeland tended to feel right on uptempo things (that's what you'll hear, for example, on "Love in the Middle Ages" and "Every Wrong Thing").  I never play a fretless bass outside the studio, so I approached that one with some trepidation, but it turned out to be just perfect for "Down to the Waterfall" (and may still make an appearance elsewhere).</p>
<p>When my hands started to wear out, I started with some vocals, getting some final or close to final vocals on three songs: "Water Wheel," "Why Do We Ask Why," and <img src="//images.zoogletools.com/u/13993/3e7d4bb56ac8264c02d36bf7ca0e5dc4f4c568eb/medium/dscn4526.jpg?1496699639" class="size_m justify_right border_none" alt="" />"Down to the Waterfall."  All the vocals were recorded with a Neumann U47 except that for "Why Do We Ask Why," we paired it with a vintage ribbon microphone (both can be seen in the picture), which added a beautiful antique tone to a song that sounds like it might have been written in the 1940s.</p></div>
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  <a href="/recording-notes/blog/4734062/studio-day-one">May 11, 2017 (Full Day): Raining Guitars</a>&nbsp;
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  <div class="message"><p>After an emergency root canal for Eric sabotaged our intended start date, I finally got into the studio for a full-day session on May 11, 2017.  The day was devoted to recording reference guitar/vocal tracks for all 12 songs, which meant first that I had to make final decisions on the speed, key, and structure of each song.  I had pretty good ideas for most of them, having made a demo CD of the songs at home (which someday will be worth millions, I'm sure).  But in several cases, Eric had good suggestions for changes (a couple songs went up a step or half step, a couple others sped up).  So in the end it took about three hours to get the reference tracks done. </p>
<p><img src="//images.zoogletools.com/u/13993/6ff009c9319680f72dcf197fe358415edf5dc36d/medium/randall-with-guitars.jpg?1496695129" class="size_m justify_left border_none" alt="" /></p>
<p>Then the fun part started, which was putting down finished acoustic guitar tracks.  Eric has a truly astounding collection of classic acoustics and a good sense of what will work for a given song, given the style of playing and the likely accompanying instrumentation.  In the end, a 2014 guitar by renowned local luthier TJ Thompson (which I'm told TJ made to replicate a 1931 Martin OM 28) was used for all the fingerpicked songs and a 1950 Gibson LG2 on most of the strummed songs, but a 1949 Gibson J 45 also made an appearance and a couple of others were tried on one song or another although ultimately didn't make the cut.  I kept at it until 6:00 and managed to get 7-8 guitar tracks done, although by the end it was all I could do to finger the chords (thankfully Eric's guitars are well set up with an easy-to-play action).  A great first day of work!</p></div>
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  <a href="/recording-notes/blog/4690991/it-begins">It begins...</a>&nbsp;
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  <div class="message">This Friday (May 5) I'm headed back to the studio for the first time since the summer of 2014 to start recording tracks for my new CD, Love in the Middle Ages.  I'm thrilled to be working with producing wizard and mandolin player extraordinaire Eric Kilburn again and looking forward to hearing his ideas for the new songs.  I think it's going to be worth the wait!  Keep tuned to this blog for updates on the process as well as behind-the-scenes pictures, videos, and rough recordings.  This is going to be fun!</div>
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    <p class="post-info"><span data-time="2017-04-30T08:44:14-04:00" title="April 30, 2017 08:44">04/30/2017</span></p>

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